Technicolor – PostWorks’ Tim Stipan Applies the Finishing Touch to Indie Drama “Disconnect”

Posted by on May 13, 2013

NEW YORK—Disconnect, the new drama from LD Entertainment and director Henry Alex Rubin, weaves three loosely related narrative lines, each of which relates to the internet and the way it is affecting human relationships. The protagonists of its three plot lines include a TV news reporter investigating porn chat sites, a lawyer whose 15-year-old son is victimized by his skater buddies, and an interracial couple who turn to on-line grief consoling to cope with the death of their baby.

Post-production was completed at Technicolor – PostWorks in New York, where the work ran the gamut from dailies processing through DI Colorist Tim Stipan (Moonrise Kingdom, Black Swan) applied the final grade, working alongside Rubin and cinematographer Ken Seng.

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Today in Art | Technical - Postworks News

Technicolor – PostWorks New York Prepares “Bluebird”, “Coach” for Tribeca Premieres

Posted by on May 1, 2013

Sam Daley grades indie drama for first-time helmer Lance Edmands; plus Best Documentary Short winner “Coach.”               

NEW YORK— Technicolor-PostWorks New York recently provided a package of post-production services for two films that made their world premieres at the Tribeca Film Festival:  Bluebird, an independent feature from first-time director Lance Edmands that was featured in the festival’s World Narrative slate, and Bess Kargman’s Coach, which took top honors as Best Documentary Short.

A drama set in a small Maine logging town, Bluebird stars Amy Morton, Margo Martindale, John Slattery (Mad Men), Louisa Krause, Adam Driver (Girls) and Emily Meade. The film was shot on 35mm film. During production, original camera negative was sent from the shooting location in rural Maine to The New York Lab for processing. Dailies and editorial media were then prepared at the Technicolor – PostWorks facility in the West Village. Services included dailies processing and final color grading.

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Today in Art | Slate Media Group News

Colorworks Evokes Classic Martial Arts Films in Grading Universal Pictures’ The Man With the Iron Fists

Posted by on Nov 8, 2012


Culver City, Calif.—November 8, 2012— Colorworks, Sony Pictures Entertainment’s digital intermediate facility, provided color grading services for Universal Pictures’ The Man With the Iron Fists. The new action-adventure film presented by Quentin Tarantino marks the directorial debut of RZA, best known as a founding member of the hip-hop group Wu Tang Clan, and stars RZA, Russell Crowe, Lucy Liu, Rick Yune, Jamie Chung, Cung Le, Dave Bautista, Byron Mann, Daniel Wu and Pam Grier.

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Today in Art | Sony Pictures News

Colorworks Helps Give “Sparkle” Its Glow

Posted by on Aug 20, 2012

Colorist John Persichetti helps cinematographer Anastas N. Michos, ASC recreate the look of Motown.

Culver City, Calif.— Colorworks, Sony Pictures Entertainments’ digital intermediate facility, recently completed final post work for Sparkle, the new movie from Tri-Star Pictures, starring Jordin Sparks and Whitney Houston. Digital intermediate colorist John Persichetti worked under the supervision of director Salim Akil and cinematographer Anastas N. Michos, ASC in performing final color grading for the film.

A remake of the 1976 film of the same name, Sparkle tells the story of three sisters who form a singing group in 1960s Detroit. It is a family drama that plays out against the glitz of Motown and the political and social tumult of the era.

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Today in Art | Sony Pictures News

FilmLight and The Pixel Farm Provide an End-to-End Restoration Workflow

Posted by on Jul 11, 2012

Baselight|PFClean integration supports all DI workflows, including ACES, and allows grading and restoration to proceed in parallel.

LONDON— FilmLight and The Pixel Farm have formed a strategic partnership to jointly market FilmLight’s Baselight colour grading system and The Pixel Farm’s PFClean™ restoration software as a complete, fully-integrated and affordable workflow for digital cinema restoration.   As a result, a branded OEM version of the PFClean restoration and remastering suite equipped with the Baselight integration option will be available to FilmLight customers to purchase directly through the company’s worldwide reseller network.

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Today in Art | FilmLight News

Colorworks Posts “Eldorado” Shot with F65 Camera

Posted by on Jun 11, 2012

Motion picture short, directed by Curtis Clark, ASC is graded and finished in 4K with ACES color management.

Culver City, Calif.— Colorworks provided 4K post production finishing services for Eldorado, a motion picture short, produced by Sony to demonstrate the capabilities of its next generation F65 CineAlta™ digital motion picture camera. Eldorado, which debuted at NAB 2012, was written, directed and lensed by Curtis Clark, ASC, who also directed The Arrival, a short film shot with the F65 last year.

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Today in Art | Sony Pictures News

Technicolor – PostWorks Posts Wes Anderson’s “Moonrise Kingdom”

Posted by on Jun 11, 2012

NEW YORK—  Technicolor – PostWorks New York, a Slate Media Group company, provided an array of film laboratory and digital post production services for Moonrise Kingdom, the new motion picture from Focus Features and director Wes Anderson that opens the Cannes International Film Festival. The facility handled film processing, dailies production, digital intermediate color grading. DCP production and film recording were done at Technicolor, Los Angeles.

Moonrise Kingdom, set on an island off the coast of New England in the summer of 1965, tells the story of two 12-year-olds (screen newcomers Jared Gilman and Kara Hayward) who fall in love, make a secret pact, and run away together into the wilderness. Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman and Bob Balaban star in the film, which Focus Features releases beginning May 25.

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Today in Art | Slate Media Group News