CSS Studios Brings Re-Recording Mixer Gary C. Bourgeois to Todd-AO

Posted by on May 31, 2012

   

HOLLYWOOD; May 31, 2012 – Gary C. Bourgeois, one of the film industry’s top re-recording mixers, has joined CSS StudiosTodd-AO. The move marks a return to Todd-AO for Bourgeois as he was previously on staff at the sound company from 1985 to 2001. Known for his work in romantic comedies, action films and documentaries, Bourgeois recently mixed the films The Raven and 50/50.

 “We are very pleased to welcome Gary Bourgeois home to Todd-AO,” said CSS Studios President Robert C. Rosenthal. “He is a great talent and enjoys universal respect in the sound industry for his skill and professionalism. We look forward to being part of the next chapter in his career.”

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Today in Art | CSS Studios News

Cinegear 2012: Codex to Showcase Recording and Workflow Solutions

Posted by on May 29, 2012

Codex Delivers 4K Workflow for Canon Cinema EOS Digital Cameras

Los Angeles –Cinegear Booth 48A – Codex Digital will showcase its latest digital media recorders and media management systems for film and television production at Cinegear 2012 in Los Angeles. Featured products will include the Codex Vault S, Codex’s next generation, modular, location-based media management environment, which has begun shipping.

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Today in Art | Codex News

National Lampoon Shoots at Hollywood Center Studios

Posted by on May 18, 2012

HOLLYWOOD—Hollywood Center Studios recently played host to the cast and crew of National Lampoon’s Another Dirty Movie. Directed Jonathan Silverman, the film is the sequel to National Lampoon’s Dirty Movie, a sketch comedy  starring Robert Klein and Mario Cantone whose outrageous humor has won it a cult following.

After completing principal photography in Louisiana, the current production set up shop on Stage 2A to shoot pick-ups as well as a number of celebrity cameos. (The stars’ identities are being kept secret until the film’s premiere.) Newly refurbished, Stage 2A features a fixed, green screen, 2-wall cyc that made set up and lighting easy.

“It was a fantastic shoot; it went far beyond our expectations,” says Silverman. “They treated us like kings.”

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Today in Art | Hollywood Center Studios News

MTI Film Extends Cortex::Capture Giveaway

Posted by on May 16, 2012


HOLLYWOOD—In response to the enormous interest generated by the launch of its new, on-location review and color management tool, Cortex::Capture, MTI Film is extending a product giveaway that it began at NAB 2012. Each week from now until the product launch, the company will hold a drawing with the winner receiving a FREE Cortex::Capture license. Names entered in the drawing will roll over to the new drawing from week to week. Everyone who enters will be included in the Grand Prize drawing on July 5th for a FREE seat of Cortex::Convey.

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Today in Art | MTI Film News

Tom Pastorelle of The Colonie and Houlihan Madison Most Develop Two Spots To Create Awareness Of The Risks of Melanoma.

Posted by on May 14, 2012

CHICAGO— As women clad in bikinis and sun dresses pack their towels and hit the beach, and men call in “sick” with a prescription to be filled at the golf course, the American Academy of Dermatology will release two national spots carrying a common message to those men and women alike. Tom Pastorelle of The Colonie and Houlihan Madison Most have teamed up to produce two spots, one aimed at young women warning them about the dangers of the sun, and one geared towards men over 50 who should be checking their skin for spots.

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Today in Art | Colonie News

Soundelux Design Music Group Celebrates 20 Years of Excellence in Sound for Games

Posted by on May 14, 2012

HOLLYWOOD — As it marks its 20th anniversary this year, Hollywood-based Soundelux Design Music Group (“DMG”),  which creates sound for games, commercials and location-based entertainment, has plenty of reason to celebrate. It’s coming off a year in which it worked on several of the video game industry’s biggest releases, including Microsoft/Epic’s Gears of War 3 (a Golden Reel Award and G.A.N.G. Award nominee) and Activision/Toys for Bob’s Skylanders Spyro’s Adventure (also a Golden Reel Award nominee). The group also recently received a Golden Reel Award for the Electronic Arts title Need for Speed: The Run, adding to the multitude of awards and nominations it has received for its game work. And, it is ready to open a second production facility on Los Angeles’ Westside.

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Today in Art | CSS Studios News

500 and Counting: Filmworkers’ Adam Little Edits Music Videos for Some of the Music Industry’s Biggest Stars 500 and Counting: Filmworkers’ Adam Little Edits Music Videos for Some of the Music Industry’s Biggest Stars

Posted by on May 10, 2012

NASHVILLE— From B.B. King and Bruce Springsteen to Justin Bieber and Taylor Swift, many of the biggest names in pop, rock and country have passed through Adam Little’s editing room at Filmworkers, Nashville.  He is the “go-to” music video editor for many of the country’s top directors, and has been editing music videos, as well as commercials, television specials, and other types of projects, for more than sixteen years.

A native of Heber Springs, Arkansas, Little has worked with a host of high profile country music stars.  Seven of his videos has been named Video of the Year at the Country Music Awards.  His credits also include a wide range of mainstream pop acts, rock bands and blues performers such as Carrie Underwood, Sheryl Crow, KISS, Five for Fighting, Garth Brooks, and Brian McKnight to name a few. One of his biggest hits was the video for the Kid Rock anthem, All Summer Long.

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Today in Art | Filmworkers News

Sonixphere Master Class Unlocks the Mysterious World of Percussion

Posted by on May 10, 2012


A Night of Music Brings Together the Ad Community and International Musicians

Sonixphere, a globally-connected resource for everything related to music and sound, recently presented its third Master Class and Jam Night featuring Indian-born percussion virtuoso Kalyan Pathak, who has toured and performed with such notable artists as Aretha Franklin, Yo Yo Ma and Chicago Symphony Orchestra. Pathak brought with him a treasure trove of unique percussion instruments on which he performed a variety rhythms and sounds from his native India. Afterwards, the lively audience, comprised of ad agency creatives, musicians, friends and music lovers, was invited to try their hands at a beat or two on the tabla, bells or darburka.

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Today in Art | Sonixphere News

“Headhunters” Director Morten Tyldum Joins Bully Pictures

Posted by on May 9, 2012


International award-winning feature film and commercial director has signed with Bully Pictures for exclusive commercial representation in the United States

LOS ANGELES— Morten Tyldum, director of Headhunters, the most successful Norwegian film of all time, has joined Bully Pictures for exclusive representation for advertising work in the United States. Tyldum, who recently signed with Vendome Pictures to direct his first American feature (What Happened to Monday?) is sought after internationally for his work in commercials. His spot work has garnered two Cannes Lions as well as numerous other creative awards.

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Today in Art | Bully Pictures News

Codex Powers ARRIRAW Workflow for “Riddick”

Posted by on May 8, 2012

Montreal’s Michel Trudel introduces Codex Onboard recorders and Transfer Station to Eastern Canada.

LONDON—Michel Trudel Inc., operators of Canada’s largest production studio, supplied Codex recording and workflow technologies to the long anticipated sequel to Pitch Black and The Chronicles of Riddick, tentatively titled Riddick . Codex Onboard recorders were used to capture ARRIRAW data from two ARRI Alexa cameras. A Codex Transfer Station was used for on-set dailies processing, back-up and deliverables production.

As with the franchise’s first film Pitch Black, Riddick united director David Twohy and cinematographer David Eggby, ACS. Principal photography was completed on four stages with full sets. The sets described alien landscapes that filled the entire floor space and allowed Eggby and his crew to shoot 360-degrees. One stage alone was rigged with more than 500 feet of green screen material.

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Today in Art | Codex News